Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/27857
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dc.contributor.authorGalán Sánchez, Pedro Juan-
dc.date.accessioned2014-01-15T10:14:04Z
dc.date.accessioned2020-10-02T17:03:40Z-
dc.date.available2014-01-15T10:14:04Z
dc.date.available2020-10-02T17:03:40Z-
dc.date.issued2007-
dc.identifier.issn2183-1718-
dc.identifier.urihttps://hdl.handle.net/10316.2/27857-
dc.description.abstractThe aim of this article is the study of the ״Poetics of Imitation ״ in the fifty-eight poems that form the Latin poetry of Sanctius ״) El Brócense ״). The main objective is to analyse, from all the possible points of view, how the renaissance poet uses classical sources: which poets he imitates more frequently, and what kind of expressions or contents, which different ways of imitation he uses (imitatio, aemulatio, contaminatio, the use of multiple source, etc.), what kind of formal procedures he follows, when it is a true imitation and when it is a mere linguistic coincidence, that is to say, why he imitates certain authors and expressions instead of many others.eng
dc.language.isospa-
dc.publisherFaculdade de Letras da Universidade de Coimbra, Instituto de Estudos Clássicos-
dc.titleEl uso de las fuentes clásicas en la poesía latina original del brocensepor
dc.typearticle-
uc.publication.collectionHumanitas vol. 59-
uc.publication.firstPage201-
uc.publication.lastPage240-
uc.publication.locationCoimbra-
uc.publication.journalTitleHumanitas-
uc.publication.volume59por
uc.publication.sectionArtigos-
uc.publication.orderno11-
uc.publication.areaArtes e Humanidades-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/27857/258147/manifest?manifest=/json/iiif/10316.2/27857/258147/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/12010559-
item.grantfulltextopen-
item.fulltextWith Fulltext-
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