Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/31594
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dc.contributor.authorRemoundou-Howley, Anastasia
dc.date.accessioned2014-06-24T13:12:16Z
dc.date.accessioned2020-09-21T01:12:07Z-
dc.date.available2014-06-24T13:12:16Z
dc.date.available2020-09-21T01:12:07Z-
dc.date.issued2010-
dc.identifier.isbn978-989-8281-41-8 (PDF)
dc.identifier.urihttps://hdl.handle.net/10316.2/31594-
dc.language.isoeng-
dc.publisherImprensa da Universidade de Coimbrapor
dc.publisherCentro de Estudos Clássicos e Humanísticospor
dc.relation.ispartofhttp://hdl.handle.net/10316.2/2403por
dc.rightsopen access-
dc.titleRehearsing instabilities in Aidan Carl Mathews’ The Antigonepor
dc.typebookPartpor
uc.publication.firstPage37-
uc.publication.lastPage61-
uc.publication.locationCoimbrapor
dc.identifier.doi10.14195/978-989-8281-41-8_2-
uc.publication.digCollectionPBpor
uc.publication.orderno2-
uc.publication.areaArtes e Humanidadespor
uc.publication.bookTitleTragic Heroines on Ancient and Modern Stage-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/31594/226893/manifest?manifest=/json/iiif/10316.2/31594/226893/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/11415407-
uc.publication.parentItemId52104-
uc.itemId73526-
item.fulltextWith Fulltext-
item.grantfulltextopen-
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