Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/32027
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dc.contributor.authorJesus, Carlos A. Martins de
dc.date.accessioned2014-06-30T10:44:33Z
dc.date.accessioned2020-09-21T03:21:09Z-
dc.date.available2014-06-30T10:44:33Z
dc.date.available2020-09-21T03:21:09Z-
dc.date.issued2009-
dc.identifier.isbn978-989-26-0908-9 (PDF)
dc.identifier.urihttps://hdl.handle.net/10316.2/32027-
dc.description.abstractThe aim of this paper is to analyze Plutarch’s discussion of the different kinds of ancient dance and their meaning in the Table Talk. Besides a large section from Book 9 (question 15), all of it concerning the parts of dance and their relation to poetry, we focus on those other moments where different rhythms of dance are discussed. Looking beyond the Plutarchan material, we search for the implications of this subject in terms of philanthropia and moderation, concepts extremely important in all nine books of the Table Talk.eng
dc.language.isoeng-
dc.publisherImprensa da Universidade de Coimbrapor
dc.publisherCentro de Estudos Clássicos e Humanísticospor
dc.relation.ispartofhttp://hdl.handle.net/10316.2/2353por
dc.rightsopen access-
dc.titleDancing with Plutarch: dance and dance theory in Plutarch’s Table Talkpor
dc.typebookPartpor
uc.publication.firstPage403-
uc.publication.lastPage414-
uc.publication.locationCoimbrapor
dc.identifier.doi10.14195/978-989-8281-17-3_37-
uc.publication.digCollectionPBpor
uc.publication.orderno37-
uc.publication.areaArtes e Humanidadespor
uc.publication.bookTitleSymposion and philanthropia in Plutarch-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/32027/227617/manifest?manifest=/json/iiif/10316.2/32027/227617/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/11426048-
uc.publication.parentItemId50955-
uc.itemId73669-
item.fulltextWith Fulltext-
item.grantfulltextopen-
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