Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/32218
DC FieldValueLanguage
dc.contributor.authorMorigi, Massimo
dc.contributor.authorSalmi, Stefano
dc.date.accessioned2014-07-01T11:36:40Z
dc.date.accessioned2020-09-20T11:46:05Z-
dc.date.available2014-07-01T11:36:40Z
dc.date.available2020-09-20T11:46:05Z-
dc.date.issued2008-
dc.identifier.isbn978-989-26-0810-5 (PDF)
dc.identifier.urihttps://hdl.handle.net/10316.2/32218-
dc.language.isopor-
dc.publisherImprensa da Universidade de Coimbrapor
dc.relation.ispartofhttp://hdl.handle.net/10316.2/2751por
dc.rightsopen access-
dc.titleArte e modernita’: i due percorsi comuni del fascismo e dell’estado novopor
dc.typebookPartpor
uc.publication.firstPage301-
uc.publication.lastPage317-
uc.publication.locationCoimbrapor
dc.identifier.doi10.14195/978-989-26-0810-5_20-
uc.publication.digCollectionPBpor
uc.publication.orderno20-
uc.publication.areaCiências Sociaispor
uc.publication.bookTitleEstados autoritários e totalitários e suas representações: propaganda, ideologia, historiografia e memória-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/32218/223585/manifest?manifest=/json/iiif/10316.2/32218/223585/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/11370678-
uc.publication.parentItemId52773-
uc.itemId72863-
item.fulltextWith Fulltext-
item.grantfulltextopen-
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