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https://hdl.handle.net/10316.2/34632
Title: | Marcial e o teatro | Authors: | Ferreira, Paulo Sérgio | Issue Date: | 2004 | Publisher: | Instituto de Estudos Clássicos, Centro de Estudos Clássicos e Humanísticos Departamento de Estudos Clássicos, Centro de Estudos Clássicos |
Journal: | http://hdl.handle.net/10316.2/2372 | Abstract: | Martial's poems carne to fill a gap caused by the decadence of traditional dramatic gemes, like tragedy and specially comedy: the Roman audience no longer appreciated those gemes. Besides parodying the mythological themes, the unusual and complicated words, and seriousness of tragedy, as well as the three-actor rule, Martial criticised the practice, adopted by contemporary poets, of writing epistles similar to dramatic prefaces: nevertheless our author justifies some of his poetic options in his epistles. The "realism", on drawing characters and situations, comes from observing the everyday life: he doesn't care about everything he sees, but, like comedy, only the laughable part of reality. The mime inspired Martial's latine laqui and our poet is one exceptional example of the Roman genius that diluted the limits of reality and art. | URI: | https://hdl.handle.net/10316.2/34632 | ISBN: | 978-989-26-0901-0 (PDF) | DOI: | 10.14195/978-989-26-0901-0_6 | Rights: | open access |
Appears in Collections: | Toto notus in orbe Martialis: celebração de Marcial 1900 anos após a sua morte |
Files in This Item:
File | Description | Size | Format | |
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totonotus_artigo7.pdf | 16.08 MB | Adobe PDF |
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