Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/34632
Title: Marcial e o teatro
Authors: Ferreira, Paulo Sérgio
Issue Date: 2004
Publisher: Instituto de Estudos Clássicos, Centro de Estudos Clássicos e Humanísticos
Departamento de Estudos Clássicos, Centro de Estudos Clássicos
Journal: http://hdl.handle.net/10316.2/2372
Abstract: Martial's poems carne to fill a gap caused by the decadence of traditional dramatic gemes, like tragedy and specially comedy: the Roman audience no longer appreciated those gemes. Besides parodying the mythological themes, the unusual and complicated words, and seriousness of tragedy, as well as the three-actor rule, Martial criticised the practice, adopted by contemporary poets, of writing epistles similar to dramatic prefaces: nevertheless our author justifies some of his poetic options in his epistles. The "realism", on drawing characters and situations, comes from observing the everyday life: he doesn't care about everything he sees, but, like comedy, only the laughable part of reality. The mime inspired Martial's latine laqui and our poet is one exceptional example of the Roman genius that diluted the limits of reality and art.
URI: https://hdl.handle.net/10316.2/34632
ISBN: 978-989-26-0901-0 (PDF)
DOI: 10.14195/978-989-26-0901-0_6
Rights: open access
Appears in Collections:Toto notus in orbe Martialis: celebração de Marcial 1900 anos após a sua morte

Files in This Item:
File Description SizeFormat 
totonotus_artigo7.pdf16.08 MBAdobe PDFThumbnail
  
See online
Show full item record

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.