Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/35055
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dc.contributor.authorGigliucci, Roberto-
dc.contributor.otherFaculdade de Letras da Universidade de Coimbra. Instituto de Estudos Clássicos, ed. lit.-
dc.date.accessioned2014-12-29T10:20:50Z
dc.date.accessioned2020-10-03T19:28:34Z-
dc.date.available2014-12-29T10:20:50Z
dc.date.available2020-10-03T19:28:34Z-
dc.date.issued2014-
dc.identifier.issn2183-1718-
dc.identifier.urihttps://hdl.handle.net/10316.2/35055-
dc.description.abstractThis essay concerns the relationship between Music and Poetry, to arrive to a personal conception of the artwork as an interpretative object. The musico-literature matter is a complex starting point to build an idea according to which the pleasure of understanding is the final purpose of the arts; aim of art is the position of a meaning, but in a realm of ambivalence-ambiguity, or better complexity: the two main examples – very distant but both basic – of Euripides and Mozart constitute the hearth of this contribute.eng
dc.language.isoeng-
dc.publisherImprensa da Universidade de Coimbra-
dc.titleMusic and poetry: a call for interpretationpor
dc.typearticle-
uc.publication.collectionHumanitas vol. 66-
uc.publication.firstPage407-
uc.publication.lastPage419-
uc.publication.locationCoimbra-
uc.publication.journalTitleHumanitas-
uc.publication.volume66por
dc.identifier.doi10.14195/2183-1718_66_21-
uc.publication.sectionArtigos-
uc.publication.orderno21-
uc.publication.areaArtes e Humanidades-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/35055/263003/manifest?manifest=/json/iiif/10316.2/35055/263003/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/12067346-
item.fulltextWith Fulltext-
item.grantfulltextopen-
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