Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/35258
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dc.contributor.authorVidal, Carlospor
dc.date.accessioned2015-01-05T12:19:15Z
dc.date.accessioned2020-03-13T00:02:05Z-
dc.date.available2015-01-05T12:19:15Z
dc.date.available2020-03-13T00:02:05Z-
dc.date.issued2014-
dc.identifier.isbn978‑989‑26‑0748‑1 (PDF)por
dc.identifier.urihttps://hdl.handle.net/10316.2/35258por
dc.language.isoporpor
dc.publisherImprensa da Universidade de Coimbrapor
dc.relation.ispartofOlharespor
dc.rightsopen accesspor
dc.subjectDeuspor
dc.subjectCaravaggiopor
dc.subjectluz vs obsuridadepor
dc.subjectinvenção dos corpos compactospor
dc.subjectestudo do desenhopor
dc.subjectpinturapor
dc.titleDeus e Caravaggio: a negação do claro-escuro e a invenção dos corpos compactospor
dc.typebookpor
uc.publication.locationCoimbrapor
dc.identifier.doi10.14195/978-989-26-0748-1por
uc.publication.digCollectionPBpor
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/35258/146973/manifest?manifest=/json/iiif/10316.2/35258/146973/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/7960538-
uc.itemId53889-
item.grantfulltextopen-
item.fulltextWith Fulltext-
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