Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/36455
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dc.contributor.authorAlcalde Martín, Carlos
dc.date.accessioned2015-04-17T10:46:53Z
dc.date.accessioned2020-09-11T11:22:53Z-
dc.date.available2015-04-17T10:46:53Z
dc.date.available2020-09-11T11:22:53Z-
dc.date.issued2014-
dc.identifier.isbn978-989-26-0933-1
dc.identifier.isbn978-989-26-0934-8 (PDF)
dc.identifier.urihttps://hdl.handle.net/10316.2/36455-
dc.description.abstractThe numerous references to the arts that abound in the works of Plutarch reveal his vast knowledge and appreciation of the matter, but he refrains from making aesthetic assessments and the references to the plastic arts are always subordinated to the purpose of the context and of the work in which they are found. For Plutarch, works of art are inferior to those that result from a statesmen’s virtue. Nevertheless as the former are a product of reason and not of chance, he considers them as worthy and adequate enough to be used as an instrument of moral education and political instruction. According to him, statesmen should not be authors themselves of any work of art, but he applauds the fact that they know how to appreciate them ‑ as long as no pretentiousness or indulgence is displayed ‑ as a demonstration of his paideia, especially when it comes to the Roman protagonists of his Lives.eng
dc.description.abstractLas numerosas referencias a las artes que llenan las obras de Plutarco manifiestan su gran conocimiento y aprecio de las mismas, pero se abstiene de hacer valoraciones estéticas y sus menciones de las artes plásticas se subordinan siempre al propósito del contexto y de la obra en que se encuentran. Para Plutarco, las obras de arte son inferiores a las resultantes de la virtud del estadista; pero al ser las primeras también producto de la razón y no del azar, las considera dignas y adecuadas para emplearlas como instrumento de enseñanza moral e instrucción política. Según él, los hombres de Estado no deben ser autores ellos mismos de obras de arte, pero elogia que sepan apreciarlas – sin hacer ostentación de vanidad o lujo – como manifestación de su paideía, especialmente los protagonistas romanos de las Vidas.por
dc.language.isospa-
dc.publisherImprensa da Universidade de Coimbrapor
dc.publisherAnnablume Editorapor
dc.relation.ispartofhttp://hdl.handle.net/10316.2/36445por
dc.rightsopen access-
dc.subjectPlutarcheng
dc.subjectGreek and Roman heroeseng
dc.subjectPaintingeng
dc.subjectSculptureeng
dc.subjectPlutarcospa
dc.subjectHéroes griegos y romanosspa
dc.subjectPinturaspa
dc.subjectEsculturaspa
dc.titleActitud de Plutarco y sus héroes ante las artes plásticaspor
dc.title.alternativeThe attitude of Plutarch and his heroes to plastic artseng
dc.typebookPartpor
uc.publication.firstPage69-
uc.publication.lastPage89-
uc.publication.locationCoimbrapor
dc.identifier.doi10.14195/978-989-26-0934-8_3-
uc.publication.sectionParte I: arte e iconografia em Plutarcopor
uc.publication.digCollectionPBpor
uc.publication.orderno4-
uc.publication.areaArtes e Humanidadespor
uc.publication.bookTitleO sábio e a imagem: estudos sobre Plutarco e a arte-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/36455/213701/manifest?manifest=/json/iiif/10316.2/36455/213701/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/11210236-
uc.publication.parentItemId54498-
uc.itemId70782-
item.fulltextWith Fulltext-
item.grantfulltextopen-
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