Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/36566
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dc.contributor.authorFlores, Maria Bernardete Ramos-
dc.date.accessioned2015-05-12T11:22:58Z
dc.date.accessioned2020-09-24T05:14:05Z-
dc.date.available2015-05-12T11:22:58Z
dc.date.available2020-09-24T05:14:05Z-
dc.date.issued2008-
dc.identifier.issn1645-3530-
dc.identifier.issn1647-8622 (digital)-
dc.identifier.urihttps://hdl.handle.net/10316.2/36566-
dc.description.abstractO artigo abandona o estudo da relação do modernismo com o nacionalismo e aborda o percurso do modernismo brasileiro: a passagem de seu momento heróico, antropofágico e desestabilizador, que experimentava as linguagens das vanguardas artísticas na pesquisa e representação da cultura brasileira, para o chamado "retorno à ordem"' no seu engajamento pela reforma e regeneração do povo brasileiro. A crença no advento do "homem novo", representada numa linguagem simbólica esculpida no corpo atlético, no corpo do trabalhador e na maternidade, projetava a imagem de um Brasil jovem, industrial e moderno, com filhos saudáveis, belos e fortes.por
dc.description.abstractL'article abandonne l'étude de la relation du modernisme avec le nationalisme et aborde le parcours du modernisme brésilien: le passage de son moment historique, anthropophagique et déstabilisateur, qui expérimentait les langages des avant-gardes artistiques dans la recherche et la représentation de la culture brésilienne, pour le dénommé "retour à l'ordre", dans son engagement pour la réforme et la régénération du peuple brésilien. La croyance dans l'avènement de "l'homme nouveau", représentée par un langage symbolique sculptée dans un corps athlétique, dans le corps du travailleur et dans la maternité, projetait l'image d'un Brésil jeune, industriel et moderne, avec des enfants sains, beaux et forts.fra
dc.description.abstractThis article abandons the study of the relationship between modernism and nationalism to look at the course of Brazilian modernism: the passing of its heroic, anthropophagic and destabilising moment that experimented with the discourse of the artistic vanguard in the search and representation of Brazilian culture, to the so-called "return to order" in its engagement with reform and the regeneration of the Brazilian people. Represented in a symbolic language sculpted into the athletic body, the body of the worker and motherhood, the belief in the advent of the "new man'' projected the image of a young, industrial and modern Brazil, with healthy, beautiful, strong children.eng
dc.language.isopor-
dc.publisherImprensa da Universidade de Coimbra-
dc.subjectmodernismeng
dc.subject"return to order"eng
dc.subjectracismeng
dc.subjectsculptureeng
dc.subjectbeautyeng
dc.subjectmodernismefra
dc.subject"retour a l' ordre"fra
dc.subjectracismefra
dc.subjectsculpturefra
dc.subjectbeautéfra
dc.subjectmodernismopor
dc.subject"retorno a ordem"por
dc.subjectracismopor
dc.subjectesculturapor
dc.subjectbelezapor
dc.titleSobre a visualidade do Brasil Moderno: Causas e combates pelo "retorno à ordem"por
dc.title.alternativeOn the visual in modern Brazil: causes and struggles for a "return to order"por
dc.title.alternativeDe la visualité du Brésil moderne: causes et combats en faveur du "retour à l'ordre"por
dc.typearticle-
uc.publication.collectionRevista Estudos do Século XX nº 8-
uc.publication.firstPage41-
uc.publication.issue8-
uc.publication.lastPage56-
uc.publication.locationCoimbra-
uc.publication.journalTitleRevista Estudos do Século XX-
dc.identifier.doi10.14195/1647-8622_8_3-
uc.publication.sectionTeoria e imagens-
uc.publication.orderno4-
uc.publication.areaCiências Sociais-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/36566/239445/manifest?manifest=/json/iiif/10316.2/36566/239445/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/11610198-
item.fulltextWith Fulltext-
item.grantfulltextopen-
Appears in Collections:Revista Estudos do Século XX
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