Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/40893
DC FieldValueLanguage
dc.contributor.authorCecilia Colombani, María
dc.date.accessioned2016-12-30T09:40:32Z
dc.date.accessioned2020-09-08T13:17:46Z-
dc.date.available2016-12-30T09:40:32Z
dc.date.available2020-09-08T13:17:46Z-
dc.date.issued2016-
dc.identifier.isbn978-989-26-1277-5
dc.identifier.isbn978-989-26-1278-2 (PDF)
dc.identifier.urihttps://hdl.handle.net/10316.2/40893-
dc.description.abstractThis work consists of thinking about certain points at the end of Bacchae to accompany the displacement of the sparagmós episode and the recognition of the horror of it. We focus our analysis on the concept of recognition to think about its effects on the drama’s actors.eng
dc.description.abstractEl presente trabajo consiste en pensar ciertos puntos del final de Bacantes para acompañar el desplazamiento del episodio del sparagmós y el reconocimiento del horror del mismo. Cifraremos nuestro análisis en el concepto de reconocimiento para pensar sus efectos sobre los actores del drama.por
dc.language.isospa-
dc.publisherImprensa da Universidade de Coimbrapor
dc.publisherAnnablumepor
dc.relation.ispartofhttp://hdl.handle.net/10316.2/40883por
dc.rightsopen access-
dc.subjectSparagmóseng
dc.subjectrecognitioneng
dc.subjecthorroreng
dc.subjectsparagmóspor
dc.subjectreconocimientopor
dc.subjecthorrorpor
dc.titleÁgave “a mitad de camino entre el infierno y el cielo”: de la fiesta ilusoria al dolor del horrendo abismo de la vidapor
dc.title.alternativeAgave «between hell and sky»: from the illusory celebration to suffering in life's terrible deptheng
dc.typebookPartpor
uc.publication.collectionHumanitas Supplementumpor
uc.publication.firstPage157-
uc.publication.lastPage168-
uc.publication.locationCoimbrapor
dc.identifier.doi10.14195/978-989-26-1278-2_10-
uc.publication.sectionTeatro Gregopor
uc.publication.digCollectionPBpor
uc.publication.orderno10-
uc.publication.areaArtes e Humanidadespor
uc.publication.bookTitleO livro do tempo: escritas e reescritas: teatro greco-latino e sua recepção I-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/40893/205088/manifest?manifest=/json/iiif/10316.2/40893/205088/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/11071700-
uc.publication.parentItemId54662-
uc.itemId69030-
item.fulltextWith Fulltext-
item.grantfulltextopen-
Appears in Collections:O livro do tempo: escritas e reescritas: teatro greco-latino e sua recepção I
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