Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/41892
DC FieldValueLanguage
dc.contributor.authorRenaud, François-
dc.date.accessioned2017-06-05T11:25:25Z
dc.date.accessioned2020-10-04T18:43:21Z-
dc.date.available2017-06-05T11:25:25Z
dc.date.available2020-10-04T18:43:21Z-
dc.date.issued2016-
dc.identifier.issn2079-7567-
dc.identifier.issn2183-4105 (PDF)-
dc.identifier.urihttps://hdl.handle.net/10316.2/41892-
dc.description.abstractThis paper examines Plato’s views about the unity of argument and drama, and asks why Plato never made his views on this unity fully explicit. Taking the Gorgias as a case study it is argued that unity rests on the conception of refutative dialectic as justice and on the principle of self-consistency of thought and desire. As compared to the treatise, the dialogue form has the advantage of being able to defend these substantive views in action and thus to demonstrate the performative contradictions in the ideas of one’s opponents.eng
dc.language.isoeng-
dc.publisherImprensa da Universidade de Coimbra-
dc.rightsopen access-
dc.subjectDialogue formeng
dc.subjectGorgiaseng
dc.subjecttrutheng
dc.subjectjusticeeng
dc.subjectdiscipliningeng
dc.subjectperformative contradictioneng
dc.titleThe twofold requirements of truth and justice in the Gorgiaspor
dc.typearticle-
uc.publication.collectionPlato Journal vol. 16-
uc.publication.firstPage95-
uc.publication.lastPage108-
uc.publication.locationCoimbra-
uc.publication.journalTitlePlato Journal-
uc.publication.volume16por
dc.identifier.doi10.14195/2183-4105_16_9-
uc.publication.orderno9-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/41892/267783/manifest?manifest=/json/iiif/10316.2/41892/267783/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/12131684-
item.fulltextWith Fulltext-
item.grantfulltextopen-
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