Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/45282
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dc.contributor.authorCourteau, Joanna-
dc.date.accessioned2019-02-05T15:10:05Z
dc.date.accessioned2020-09-30T23:26:40Z-
dc.date.available2019-02-05T15:10:05Z
dc.date.available2020-09-30T23:26:40Z-
dc.date.issued1986-
dc.identifier.issn0870-0958-
dc.identifier.issn2183-8925 (digital)-
dc.identifier.urihttps://hdl.handle.net/10316.2/45282-
dc.description.abstractAccording the Mircea Eliade the «sole» most «important religious creation of the modern Western world» is the «ultimate stage of desacralization». Pessoa not only understands this fact as evidenced in the poems «O último Sortilégio», «Símbolos» and «As Musas», he also understands that this desacralization ultimately leads to the existential anguish. While in the writings of Alberto Caeiro and Ricardo Reis he suggests that man could escape the existential anguish through a return to Paganism, in the poem «Apontamento» he suggests a solution far more acceptable to the modern Western man, and that is the apprehension and preservation of the sacred essence in the aesthetic creation.eng
dc.language.isoeng-
dc.publisherImprensa da Universidade de Coimbra-
dc.rightsopen access-
dc.titleThe desacralization of the world in the poetry of Fernando Pessoapor
dc.typearticle-
uc.publication.collectionRevista de História das Ideias vol. 8, Tomo I-
uc.publication.firstPage557-
uc.publication.lastPage564-
uc.publication.locationCoimbra-
uc.publication.journalTitleRevista de História das Ideias-
uc.publication.volume8, Tomo Ipor
dc.identifier.doi10.14195/2183-8925_8-1_22-
uc.publication.sectionIII-
uc.publication.orderno24-
uc.publication.areaArtes e Humanidades-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/45282/250819/manifest?manifest=/json/iiif/10316.2/45282/250819/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/11913886-
item.fulltextWith Fulltext-
item.grantfulltextopen-
Appears in Collections:Revista de História das Ideias
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