Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/47053
DC FieldValueLanguage
dc.contributor.authorSwanson, Carrie-
dc.date.accessioned2019-07-16T16:14:29Z
dc.date.accessioned2020-10-04T18:43:10Z-
dc.date.available2019-07-16T16:14:29Z
dc.date.available2020-10-04T18:43:10Z-
dc.date.issued2019-
dc.identifier.issn2079-7567-
dc.identifier.issn2183-4105 (PDF)-
dc.identifier.urihttps://hdl.handle.net/10316.2/47053-
dc.description.abstractIn the final scene of the Euthydemus, Socrates argues that because the art of speechwriting merely partakes of the two good arts philosophy and politics, it places third in the contest for wisdom. I argue that this curious speech is a reverse eikos argument, directed at the speechwriters own eikos argument for the preeminence of their art. A careful analysis of the partaking relation reveals that it is rather Socratic dialectic which occupies this intermediate position between philosophy and politics. This result entails that Socrates’ peculiar art is only a part of philosophy, and its practitioner only partially wise.eng
dc.language.isoeng-
dc.publisherImprensa da Universidade de Coimbra-
dc.rightsopen access-
dc.subjectEuthydemuseng
dc.subjectpartakingeng
dc.subjectargumenteng
dc.subjectrhetoriceng
dc.subjectsophistryeng
dc.titleSocratic dialectic between philosophy and politics in Euthydemus 305e5-306d1por
dc.typearticle-
uc.publication.collectionPlato Journal vol. 19-
uc.publication.firstPage43-
uc.publication.lastPage90-
uc.publication.locationCoimbra-
uc.publication.journalTitlePlato Journal-
uc.publication.volume19por
dc.identifier.doi10.14195/2183-4105_19_3-
uc.publication.sectionPapers-
uc.publication.orderno4-
uc.publication.areaArtes e Humanidades-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/47053/267683/manifest?manifest=/json/iiif/10316.2/47053/267683/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/12130579-
item.fulltextWith Fulltext-
item.grantfulltextopen-
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