Please use this identifier to cite or link to this item:
https://hdl.handle.net/10316.2/78797
DC Field | Value | Language |
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dc.contributor.author | Pianacci, Rómulo | - |
dc.date.accessioned | 2017-09-29T14:05:21Z | |
dc.date.accessioned | 2020-03-26T18:38:50Z | - |
dc.date.available | 2017-09-29T14:05:21Z | |
dc.date.available | 2020-03-26T18:38:50Z | - |
dc.date.issued | 2017 | - |
dc.identifier.isbn | 978‑989‑26‑1438‑0 | - |
dc.identifier.isbn | 978‑989‑26‑1439‑7 (PDF) | - |
dc.identifier.issn | 2182‑8814 | - |
dc.identifier.uri | https://hdl.handle.net/10316.2/78797 | - |
dc.identifier.uri | https://hdl.handle.net/10316.2/42962 | |
dc.description.abstract | La presente comunicación forma parte del Proyecto de Investigación La persistencia de los modelos clásicos en América Latina: Literatura y Cine, que lleva ya varios años relevando una a una las dispersas producciones fílmicas latinoamericanas de contenido clásico grecolatino. Se analizarán tres transducciones de textos clásicos llevados a la pantalla mexicana: Las Troyanas (1963) de Sergio Véjar; La viuda (1965) con dirección de Benito Alazrak y finalmente Arturo Ripstein con su realización Así es la vida (1999) basada en la Medea de Séneca. Con diferente fortuna, los tres filmes reflejan la presencia de la Cultura Clásica en México, en todas sus particularidades, el especial su apego al melodrama, y no exentos de una cierta ironía en la pintura localista. | - |
dc.language.iso | spa | - |
dc.publisher | Imprensa da Universidade de Coimbra | - |
dc.relation.ispartof | http://hdl.handle.net/10316.2/42874 | - |
dc.rights | open access | - |
dc.subject | Literatura | - |
dc.subject | cine | - |
dc.subject | tradición clásica | - |
dc.subject | México | - |
dc.title | La Tradición Clásica en el Cine Mexicano (1963 - 1999) | por |
dc.title.alternative | Classical tradition in Mexican cinema (1963-1999) | por |
dc.type | book | - |
uc.publication.pages | 211-218 | por |
dc.identifier.doi | https://doi.org/10.14195/978-989-26-1439-7_19 | - |
uc.publication.area | Artes e Humanidades | - |
dc.subject.eng | Literature | - |
dc.subject.eng | film | - |
dc.subject.eng | tradición clásica | - |
dc.subject.eng | México | - |
dc.description.abstractEng | Abstract — The present communication is part of the research project Persistence of the classical models in Latin America: Literature and Cinema, which has taken several years in relieving one by one the scattered Latin American film productions on Greek classical content. Three transductions of classical texts brought to the Mexican screen will be analysed: the Las Troyanas (1963) by Sergio Véjar; La viuda by Benito Alazrak and finally Arturo Ripstein with his film Así Es la Vida (1999) based on Seneca’s Medea. With different fortune, these three films reflect the presence of classical culture in Mexico, in all its singularities, specially the attachment to melodrama, not exempt with a certain irony in the localist painting. | - |
uc.publication.bookTitle | Pervivencia del mundo clásico en la literatura: tradición y relecturas | por |
item.fulltext | With Fulltext | - |
item.grantfulltext | open | - |
Appears in Collections: | Stand By |
Files in This Item:
File | Description | Size | Format | |
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la_tradicion_clasica_en_el_cine_mexicano.pdf | 553.54 kB | Adobe PDF |
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