Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/93350
Title: The early computer poetry and concrete poetry
Authors: D’Ambrosio, Matteo
Keywords: electronic literature;programming;computer graphics;concrete poetry;Max Bense;Cybernetic Serendipity;literatura eletrónica;programação;computação gráfica;poesia concreta;Max Bense;Cybernetic Serendipity
Issue Date: 2018
Publisher: Centro de Literatura Portuguesa
Imprensa da Universidade de Coimbra
Abstract: Este artigo destaca a importância atribuída aos programas de computador e à computação gráfica nas primeiras experiências de Literatura Eletrónica. Com base nos textos analisados, a influência da teoria estética de Max Bense e da Poesia Concreta deve ser diminuída. As primeiras antologias da Poesia Concreta continham um número escasso de textos pertencentes a um subgénero que se poderia denominar “Poesia Concreta Computacional.” Quer Franke (1971), quer Bailey (1973) relataram uma presença maior de outros modelos textuais.
This paper underlines the importance attributed to computer programs and computer graphics in the early experiments of Electronic Literature. Based on the texts reviewed, the influence of the aesthetic theory of Max Bense and of Concrete Poetry has to be reduced. The early anthologies of Concrete Poetry contained a scarce number of texts which belonged to a sub-genre that could be defined as “Computerised Concrete Poetry.” Both Franke (1971) and Bailey (1973) have reported the greater presence of other textual models.
URI: https://hdl.handle.net/10316.2/44343
ISSN: 2182-8830
DOI: 10.14195/2182-8830_6-1_4
Rights: open access
Appears in Collections:Matlit

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