Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/32318
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dc.contributor.authorOwen, Hilary
dc.date.accessioned2014-07-01T16:48:17Z
dc.date.accessioned2020-09-20T12:53:45Z-
dc.date.available2014-07-01T16:48:17Z
dc.date.available2020-09-20T12:53:45Z-
dc.date.issued2006-
dc.identifier.isbn978-989-26-0391-9 (PDF)
dc.identifier.urihttps://hdl.handle.net/10316.2/32318-
dc.language.isopor-
dc.publisherImprensa da Universidade de Coimbrapor
dc.relation.ispartofhttp://hdl.handle.net/10316.2/2743por
dc.rightsopen access-
dc.title«Antígonas Antagónicas»: género, génio e a política de «performance» em Perdição e Florbela de Hélia Correiapor
dc.typebookPartpor
uc.publication.firstPage77-
uc.publication.lastPage92-
uc.publication.locationCoimbrapor
dc.identifier.doi10.14195/978-989-26-0391-9_6-
uc.publication.digCollectionPBpor
uc.publication.orderno6-
uc.publication.areaArtes e Humanidadespor
uc.publication.bookTitleFuror: ensaios sobre a obra dramática de Hélia Correia-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/32318/223881/manifest?manifest=/json/iiif/10316.2/32318/223881/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/11374244-
uc.publication.parentItemId52726-
uc.itemId72924-
item.fulltextWith Fulltext-
item.grantfulltextopen-
Appears in Collections:Furor: ensaios sobre a obra dramática de Hélia Correia
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