Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/38984
DC FieldValueLanguage
dc.contributor.authorSantos, Isabel Pedro dos-
dc.date.accessioned2016-05-12T16:48:56Z
dc.date.accessioned2020-09-18T09:08:45Z-
dc.date.available2016-05-12T16:48:56Z
dc.date.available2020-09-18T09:08:45Z-
dc.date.issued2003-
dc.identifier.issn0870-4112-
dc.identifier.issn2183-7139 (digital)-
dc.identifier.urihttps://hdl.handle.net/10316.2/38984-
dc.description.abstractMaxine Hong Kingston's The Woman Warrior (1976) can he described as a postmodern, feminist autobiography that challenges the traditional understanding of the genre and legitimates fiction as an autobiographical element. The subject's voice is decentered and heard indirectly through the voices of other women, especially the mother. It tells stories about silence and how it can be transcended in "story- talking", a complex and ambivalent Chinese legacy from the mother.eng
dc.language.isopor-
dc.publisherFaculdade de Letras da Universidade de Coimbra-
dc.rightsopen access-
dc.titleThe Woman Warrior, de Maxine Hong Kingston: a autobiografia como "Talking-story"por
dc.title.alternativeMaxine Hong Kingston’s The Woman Warrior: the autobiography as "Talking-story”eng
dc.typearticle-
uc.publication.collectionBiblos vol. I-
uc.publication.firstPage151-
uc.publication.lastPage164-
uc.publication.locationCoimbra-
uc.publication.journalTitleBiblos-
uc.publication.volume1por
dc.identifier.doi10.14195/0870-4112_1_9-
uc.publication.sectionArtigos-
uc.publication.digCollectionIP-
uc.publication.digCollectionB1-
uc.publication.orderno10-
uc.publication.areaArtes e Humanidades-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/38984/217534/manifest?manifest=/json/iiif/10316.2/38984/217534/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/11277423-
uc.itemId71602-
uc.thumbnail.urihttps://dl.uc.pt/iiif-imgsrv/11277393/dl!3!54!07!18!54071801260073937405147896852015036751-
item.fulltextWith Fulltext-
item.grantfulltextopen-
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