Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/39976
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dc.contributor.authorMatos, Jacinta Maria-
dc.date.accessioned2016-11-17T11:11:31Z
dc.date.accessioned2020-09-18T09:09:10Z-
dc.date.available2016-11-17T11:11:31Z
dc.date.available2020-09-18T09:09:10Z-
dc.date.issued2004-
dc.identifier.issn0870-4112-
dc.identifier.issn2183-7139 (digital)-
dc.identifier.urihttps://hdl.handle.net/10316.2/39976-
dc.description.abstractThis paper offers a necessarily succint overview of the way the Orient has been depicted in English Travel Writing, from the medieval narrative of John Mandeville to the Romantic joumey of Alexander Kinglake. The last section of the article considers V.S.NaipauPs An Area of Darkness as an example of some of the recurrent tropes in orientalist discourse that persist today, but also as a paradigm of the deterritorialized, decentred condition of the postcolonial subject.eng
dc.language.isopor-
dc.publisherFaculdade de Letras da Universidade de Coimbra-
dc.rightsopen access-
dc.titleFronteiras errantes: o Oriente na literatura de viagens inglesapor
dc.title.alternativeWandering borders: the Orient in english travel writingeng
dc.typearticle-
uc.publication.collectionBiblos vol. II-
uc.publication.firstPage275-
uc.publication.lastPage288-
uc.publication.locationCoimbra-
uc.publication.journalTitleBiblos-
uc.publication.volume2por
dc.identifier.doi10.14195/0870-4112_2_9-
uc.publication.sectionArtigos-
uc.publication.digCollectionIP-
uc.publication.digCollectionB1-
uc.publication.orderno9-
uc.publication.areaArtes e Humanidades-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/39976/217762/manifest?manifest=/json/iiif/10316.2/39976/217762/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/11280939-
uc.itemId71659-
uc.thumbnail.urihttps://dl.uc.pt/iiif-imgsrv/11280909/dl!3!14!24!56!142456082783016415216929112465520814025-
item.fulltextWith Fulltext-
item.grantfulltextopen-
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