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https://hdl.handle.net/10316.2/40933
Title: | Penelope ide de Patrizia Monaco: la odisea de Penélope a escena | Other Titles: | Patrizia Monaco’s Penelopeide: Penelope’s Odyssey on stage | Authors: | Martín Clavijo, Milagro | Keywords: | Patrizia Monaco;Penelope;revision of myth;polyphony;irony;Patrizia Monaco;Penélope;revisión del mito;polifonía;ironía | Issue Date: | 2016 | Publisher: | Imprensa da Universidade de Coimbra Annablume |
Journal: | http://hdl.handle.net/10316.2/40906 | Abstract: | In this paper we analyse the figure of Penelope in the play written by
the Italian playwright Patrizia Monaco. Penelopeide is composed with an assembly
technique in which Penelope and Euriclea tell us their story and they do it intersecting
monologues from two different places and times. It is an original adaptation of the
myth to modern times carried out with great polyphony and irony, two of the key
aspects in the play that we will discuss here. En el presente trabajo se analiza la figura de Penélope en la obra teatral de la dramaturga italiana Patrizia Monaco. Penelopeide está escrita con la técnica del montaje en la que Penélope y Euriclea cuentan su historia a través de monólogos que se entrecruzan, desde dos lugares y tiempos distintos. Una original adaptación del mito a los nuevos tiempos llevada a cabo con gran polifonía e ironía, dos de los aspectos centrales en la obra y que aquí abordaremos. |
URI: | https://hdl.handle.net/10316.2/40933 | ISBN: | 978-989-26-1297-3 978-989-26-1298-0 (PDF) |
DOI: | 10.14195/978-989-26-1298-0_27 | Rights: | open access |
Appears in Collections: | O livro do tempo: escritas e reescritas: teatro greco-latino e sua recepção II |
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penenelopeide_de_patrizia_monaco_la_odisea_de_pene_lope_a_escena.pdf | 640.67 kB | Adobe PDF |
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