Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/40933
Title: Penelope ide de Patrizia Monaco: la odisea de Penélope a escena
Other Titles: Patrizia Monaco’s Penelopeide: Penelope’s Odyssey on stage
Authors: Martín Clavijo, Milagro
Keywords: Patrizia Monaco;Penelope;revision of myth;polyphony;irony;Patrizia Monaco;Penélope;revisión del mito;polifonía;ironía
Issue Date: 2016
Publisher: Imprensa da Universidade de Coimbra
Annablume
Journal: http://hdl.handle.net/10316.2/40906
Abstract: In this paper we analyse the figure of Penelope in the play written by the Italian playwright Patrizia Monaco. Penelopeide is composed with an assembly technique in which Penelope and Euriclea tell us their story and they do it intersecting monologues from two different places and times. It is an original adaptation of the myth to modern times carried out with great polyphony and irony, two of the key aspects in the play that we will discuss here.
En el presente trabajo se analiza la figura de Penélope en la obra teatral de la dramaturga italiana Patrizia Monaco. Penelopeide está escrita con la técnica del montaje en la que Penélope y Euriclea cuentan su historia a través de monólogos que se entrecruzan, desde dos lugares y tiempos distintos. Una original adaptación del mito a los nuevos tiempos llevada a cabo con gran polifonía e ironía, dos de los aspectos centrales en la obra y que aquí abordaremos.
URI: https://hdl.handle.net/10316.2/40933
ISBN: 978-989-26-1297-3
978-989-26-1298-0 (PDF)
DOI: 10.14195/978-989-26-1298-0_27
Rights: open access
Appears in Collections:O livro do tempo: escritas e reescritas: teatro greco-latino e sua recepção II

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