Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/93364
DC FieldValueLanguage
dc.contributor.authorKirschenbaum, Matthew-
dc.date.accessioned2018-10-23T14:44:25Z
dc.date.accessioned2020-10-04T00:49:30Z-
dc.date.available2018-10-23T14:44:25Z
dc.date.available2020-10-04T00:49:30Z-
dc.date.issued2018-
dc.identifier.issn2182-8830-
dc.identifier.urihttps://hdl.handle.net/10316.2/44359-
dc.description.abstractCerca de uma década depois de ter saído da direção da Electronic Literature Organization, Kirschenbaum regressou para apresentar, no encontro da ELO de 2017 no Porto, uma justaposição estranhamente precisa das afinidades da Organização com o breve período do rock progressivo. O resultado é um excesso imaginativo, cujo único precursor (em estudos impressos) poderia ser Yes in the Answer (2013), de Mark Weingarten e Tyson Correl, que incluía romancistas aclamados da década de 1980, como Rick Moody e Joe Meno, músicos como Nathan Larson e Peter Case, e o historiador musical Jim DeRogatis, citado aqui. Este texto é uma transcrição ligeiramente reescrita da palestra. Aquilo que não é reproduzível, nesta versão textual, é a potente parede de som que acompanhou a apresentação de Kirschenbaum.por
dc.description.abstractRoughly a decade after having cycled off the board of the Electronic Literature Organization, Kirschenbaum returned to deliver, at the 2017 ELO meeting in Oporto, an eerily accurate juxtaposition of the Organization’s affinities with the short-lived era of progressive rock. The result is an imaginative excess whose only precursor (in print scholarship) might be Mark Weingarten’s and Tyson Correl’s Yes in the Answer (2013), featuring acclaimed novelists of the 1980s such as Rick Moody and Joe Meno, musicians such as Nathan Larson, and Peter Case, and the music historian, Jim DeRogatis, cited here. This text is a lightly revised transcript of the talk. Not reproducible, in print, is the solid wall of sound that accompanied Kirschenbaum’s presentation.eng
dc.language.isoeng-
dc.publisherCentro de Literatura Portuguesa-
dc.publisherImprensa da Universidade de Coimbra-
dc.rightsopen access-
dc.subjectElectronic Literature Organizationeng
dc.subjectElectric Light Orchestraeng
dc.subjectelectronic literatureeng
dc.subjectprogressive rockeng
dc.subjectElectronic Literature Organizationpor
dc.subjectElectric Light Orchestrapor
dc.subjectliteratura eletrónicapor
dc.subjectrock progressivopor
dc.titleELO and the Electric Light Orchestra: electronic literature lessons from Prog Rockpor
dc.typearticle-
uc.publication.collectionMatlit v. 6, nº 2-
uc.publication.firstPage27-
uc.publication.issue2-
uc.publication.lastPage36-
uc.publication.locationCoimbra-
uc.publication.journalTitleMATLIT: Materialidades da Literatura-
uc.publication.volume6por
dc.identifier.doi10.14195/2182-8830_6-2_2-
uc.publication.orderno2-
uc.publication.areaArtes e Humanidades-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/93364/263604/manifest?manifest=/json/iiif/10316.2/93364/263604/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/12073288-
item.grantfulltextopen-
item.fulltextWith Fulltext-
Appears in Collections:Matlit
Files in This Item:
File Description SizeFormat 
elo_and_the_electric_light_orchestra.pdf683.5 kBAdobe PDFThumbnail
  
See online
Show simple item record

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.